Rhythm as mode, theory and concept in Architectural Design

Victor Burgin, In/Different Spaces: Place and Memory in Visual Culture (Los Angeles: University of California Press, 1995); Allesandra Capana, “Music and Architecture: A Cross between Inspiration and Method,” Nexus Network Journal Vol. 11, (Turin: Kim Williams Books, 2009); Eric Clark, “Rent Rhythm in the Flamenco of Urban Change,” in Reanimating Places: A Geography of Rhythms, ed. Tom Mels (Aldershot: Ashgate, 2004), 147-160; Daniel W. Conway, “Tumbling Dice: Gilles Deleuze and the Economy of Répétition,” in Deleuze and Philosophy: the difference engineer, ed. Keith Ansell Pearson (London: Routledge, 1997), 73-92; Elisabeth Grosz, Space, Time and Perversion : essays on the politics of bodies (New York: Routledge, 1995); N. Katherine Hayles, “Introduction: Complex Dynamics in Literature and Science”, in Chaos and Order: Complex Dynamics in Literature and Science, ed, N. Katherine Hayles (Chicago: University of Chicago Press, 1991), 1-33; Andrew Hewitt, Social Choreography: Ideology as Performance in Dance and Everyday Movement (Durham: Duke University Press, 2005); Bill Hillier & Julienne Hanson, The Social Logic of Space (Cambridge (UK): Cambridge University Press, 1984); Anders Johansson, The Architectural Metaphor (Ph.D.-Diss, KTH School of Architecture, 2003); Steven Johnson, Emergence (London: Penguin Press, 2001); Nick Kaye, Site-specific art: performance, place and documentation (Cambridge (MA): MIT Press, 2000)Naomi Klein, No Logo (London: Harper Perennial, 2000); Miwon Kwon, One Place after Another: Site-specific art and locational identity (Cambridge (MA): MIT Press, 2002); Lousia Larocci, “Dressing Rooms: Women, Fashion and the Department Store”, in The Places and Spaces of Fashion, 1800-2007, ed. John Potvin (New York: Routledge, 2009), 169-185; Henri Lefebvre, Writings on Cities, trans. ed. Eleonore Kofman & Elizabeth Lebas (Oxford: Blackwell, 1996); Randy Martin, Critical Moves: Dance Studies in Theory and Politics (Durham: Duke University Press, 1998); Tom Mels, “Lineages of a Geography of Rhythms,” in Reanimating Places : a Geography of Rhythms, ed. Tom Mels (Aldershot: Ashgate, 2004), 3-42; Paul D. Miller, Rhythm Science (Cambridge (MA): MIT Press. 2004); Tze-Boon Ong, Music as a Generative Process in Architectural Form and Space (Masters Thesis, Rice University, 1994); Vivian M. Patraka, “Spectacular Suffering: Performing Presence, Absence and Witness at the US Holocaust Memorial Museum,” in Performance Studies, ed. Erin Shriff (Hampshire: Palgrave McMillan 2003), 82-96; Jeannene M. Przblyski, “Moving Pictures: Photography, Narrative and the Paris Commune of 1871,” in Cinema and the Invention of Modern Life, ed. Leo Charney & Vanessa R Schwartz (London: University of California Press, 1995); Gray Read, “Theater of Public Space: Architectural Experimentation in the Théâtre de l’espace (Theater of Space), Paris 1937,” Journal of Architectural Education Vol. 58 (2005); Bernard Tschumi, Architecture and Disjunction (Cambridge (MA): MIT Press, 1996); Mark Wigley, White walls, designer dresses (Cambridge (MA): MIT Press, 1995); Elisabeth Wilson, “Explaining it away”, in Fashion Theory: A Reader, ed. Barnard, Malcolm (New York: Routledge, 2007); Blueprint 281 (2009); Dolan Cummings, “How Public is Public Space?”, 44-52; Edward Denison, Untitled Comment, 49, Stuart Waiton, Untitled Comment, 51; Karsten Huneck, Untitled Comment , 52; Brendan Macfarlane, Untitled Comment, 52; Sarah Wigglesworth, Untitled Comment, 52.

Rhythmanalysis Structure Literature Media Magazine